The iPad has a variety of sizes up to 13”.

My amazing iPad does this well. You can get a 10th generation starting about US$250. ALSO, look out for November deals.

Scatter ideas… players are unlikely to move in any specific order or direction because that’s what’s expected. Most experienced players are terrified to do what the GM wants because they believe they’ll all die. Players and GMs are commonly perceived as adversaries, but they should be collaborators. So the GM can scatter ideas and little bits of business al over the place and then the group can choose. Members of the group can ask for elements and the GM can choose. Create the series together, allow the players to affect change in the setting, and never let an NPC do what a player does. Thanks for coming to my TED Talk.

Hollow World wasn’t strange from either perspective. There have always been fantasies involving the hidden civilizations under the earth. There was also among designers a fetish for the pulpy adventure stories. See also, Doc Savage, the Nile Empire for TORG, Justice Inc and Lands of Mystery, various Buck Roger’s iterations, Thrilling Places, Hollow Earth Expeditions, Spirit of the Century, as well as a few dozen others. Hell, even Traveller is based on the pulpy SF like Dumarest and Lensman.

VTM illustrates all of the pros and cons of the Storyteller milieu. It is still the game that people talk about, even more than WoD.

I’d definitely study the evolution of the hobby using books like The Elusive Shift (Petersen), Role-Playing Game Studies: Transmedia Foundations (Deterding, Zagal) and Designers & Dragons: A History of the Roleplaying Game Industry (Appelcline). Once the students had a grounding in the history I would suggest a unit on Dice and Probability, the Mechanics and influence on settings.

• D&D for level and progression, and contrasting that against Palladium’s approach.
• Traveller for the lifepath concept as well as the developing of universal setting.
• Hero System and the rise of point based mechanics, contrasting with GURPS.
• Interlock (Mekton, Cyberpunk) and the emergence of Unified Game Mechanics, maybe contrast with Atlas Games All Flesh Must Be Eaten, et al.
• Vampire, and the development of Dice Pools and the rise of “splats” as a business model.
• Over The Edge and Amber Diceless as differing approaches to non-traditional RPGs.
• Sorcerer, indie games, The Forge, and the story game movement. See also gamist/narrativist/simulationist as styles of play.
• D&D 3.0 and the OGL explosion.
• Apocalypse World and the New Wave of RPGs as a reaction to OGL. (one man’s opinion).

Yes, 2013, 2020, and RED are. I am not certain about 3e as I wasn’t a contributor.

Just curious, as a former 2020 freelancer I occasionally check in.

Why just RED? Why not a wider group?