I know this might start war in the comments so please chill people, I don’t want to get 20 reports from this single post.
Being preached by a game company owned by EA is like being preached by actors at the oscars. Gotta love the bourgeoisie proselytising. (edit -at)
This sounds like exactly my response to a ”Christian” movie. They are so ridiculously bad because to earn the label “Christian” they have to be preachy.
I would like to find a game free of political message, can someone please show me one?
I’m really curious about what this mythical beast might look like…
The article is not about how the game shouldn’t be political (because this notion is absurd). It’s about how idiotic the treatment of the writer’s views is, to the point it feels like a parody of the statement they wanted to make.
Indeed, I still get someone giving me names of nonpolitical games.
Doom? Tetris? Need for Speed? Wii Tennis? WTF are you talking about?
I’m not saying I know anything about this Dragon Age, I haven’t played it.
I think it’s a fair point though, to imagine an a-political narrative game, because I think most if not all RPG games I can think of have some kind of political content.
Shifting the goalposts on behalf of OP, but whatever. Where are you guys coming from?
Narrative games of any scope are almost inevitably going to bump into themes like hierarchy, power dynamics and moral dilemmas. That doesn’t make them “political” in the sense that they’re directly discussing real events around you. I won’t presume anything about your personal position here, but OP gives the impression that if a fantasy game depicted a fictional race subjugated by another he would start complaining that it was woke.
If you want a story without those things you largely need to pick a different genre.
That’s what I’m trying to say. I don’t think such a game is feasible.
Also, in the context of this threat, saying “ooo Tetris isn’t political!” is being pedantic, that’s not what the person meant when they asked for an example of a non political game.
- Doom promotes strong virilism = political.
- Tetris = promote the control of chaos (view as destructive, because too much and you lose) through psycho-rigid order.
- Need For Speed = yeah nothing political about promoting cars, except the incitation to get one.
- Wii Tennis = tries to make you forget tennis is for rich people only, by making it cute = political.
My point is everything is political, you don’t have to see political standpoint in things, but that doesn’t mean it isn’t there.
If that’s what you meant with your original comment then I deeply regret engaging with this at all 🤣
Have a nice day.
Oh you didn’t perceive the irony, didn’t you?
I feel like I have a outside the norm third-take opinion on this topic, tbh.
I think including the hot social topic of the day often time is pandering.
But I also don’t think pandering is a problem. The muscles on the main character is also pandering. When McDonald’s does market research and then releases a new product, that is pandering.
Games are a sales industry; they are going to pander to potential buyers, period.
So yes, a potentially trans-centric storyline in a game is unnecessary. But so is including a longsword, or a tavern, or a comic relief character. Unnecessary doesn’t mean bad; all of those things are likely only adding to the depth and value of the game.
So all this to say that when crazy right-wingers talk about SJWs and pandering and all that nonsense don’t waste your time trying to fight them on the irrelevant bits - go ahead and acknowledge the pandering aspect and fight the real fight by telling them it’s not negative pandering and minorities deserve to be pandered to and represented just as much as anyone else. They just don’t recognize the market targeting the white male demographic as pandering because it is the sphere of normal under which they operate.
I guess I should add that I’m not speaking to this game specifically since I’ve never played it. I really enjoyed Dragon Age: Origins but frankly felt like I got everything I needed of the world from it and haven’t been interested in any of the sequels. So I won’t be playing DA: The Veilguard, but that reason has absolutely fuck all to do with the inclusion of any social politics.
If you read the article you’ll see that the author takes issue not with the inclusion itself, but the hamfisted way in which it is included. Pandering can be fine, but when it’s just checking boxes in a cringy, lazy way it’s not, and worse it becomes fodder for the gamergate type to rage about.
I understand that, but my point is that there is no shortage of shoehorned comic relief characters, or awkwardly placed fanservice, etc. Critique the actual fault at play, bad writing, rather than letting the gamergate right-wing nutsos have the benefit of having the conversation on their terms. Make the headline “DA:tV falls short in the writing department, here are some examples” and include the flimsy way the character is written as the valid critique. Games are going to pander to us, that is what I was saying; when we place special emphasis on this particular type of pandering all we’re doing is letting the right define the conversations we’re having.
Critique the actual fault at play, bad writing,
That seems to be what is being done here. Everything that I have seen on this has done what you asked, said what they where critiquing then giving a clip from the game as an example. If people can not be critical of media for any reason, we have an issue.
Complaining about “the way it’s included” has been a trick to try to gatekeep minorities that dates back from to the origin of time.
For those people always pretend it’s ok to include X except in “that particular context” or “in that particular way” and unsurprisingly enough it’s never the right context or the right way. Unless of course the context is out of their way.
I’ve seen the same boring argument repeated for every single minorities over the last 50 years.
Did you read the article? I found it pretty convincing, as an example “non-binary” is not a word I expect to be said in a fantasy setting. The author also mentions a fantasy book where it’s done much more naturally.
Did you write a guidebook of acceptable words and concepts in fantasy ? I ask because if you’re so bothered by the introduction of new words into fantasy literature I’m assuming you don’t read anything with any words invented after the release of the Epic of Gilgamesh sometime in 1155 BC.
It’s a violently stupid argument.
I’m not bothered at all lol, I would have already forgotten about it if you weren’t so bothered yourself :) But yeah, IMO it would have been better if they had used a less “modern” word. You did notice that fantasy characters usually don’t speak like they’re from the 21st century, right?
usually
So you admit that they sometime do ? Kinda kills your whole point. 🤷
I haven’t played it yet, still unsure if I will, but everything I’ve seen of it is nudging me towards not playing it. The dialogues I’ve watched were poorly written, cutscenes were okay at best, and the new companions seemed all to be obnoxious teenagers.
To me, Dragon Age Origins is the only game in the franchise that’s worth playing. The Warden is your character as the player, and that, to me, is the hallmark of a good rpg. None of the other Dragon Age games put as much effort into allowing you to choose and make your own character. The fact that DA:O had entirely different intros, that were both long, well written, and nuanced, based on your combination of class + race was the thing that sold me into that game. Hawke is not your character, but a character they wanted you to play for a reason, but I’ll give it a pass since the idea of Hawke’s story was fairly good, just not as well implemented (DA2 should have been a spin off and not part of the main series). The Inquisitor is even worse, it could have been your character, but it’s some weird generic character that’s there just to perform a function in the world. I’ve played most of DA2, but only a couple of hours of Inquisition, and it was enough to know that both those games fell short of Origins, and this one is looking even worse.
An RPG needs excellent writing above all else. Good gameplay comes as a close second, but it should be mostly about allowing players to forge their own path and have their own interpretations of the world. RPGs need nuance and subtlety, you can’t just constantly regurgitate something to someone’s face and expect them not to be annoyed by it.
I will give you my review as someone who is a trans ally. The writing is bad. Like really bad.
I played DA:O when it first came out, bought the Golem bonus release package. It was a fun, dark fantasy game. Same with the expansion and the other DA games. This game has none of that in the story. It’s just a really awful written story.
The chuds, and I despise even typing this, are right. The trans/non-binary stuff comes out of no where. They go full vegan road biker CrossFit attitude with it and just inject it in the most random places. “Let me tell you about all the sets I did!” And then there are some kind of odd non-consenting scenes which make it even weirder.
It lacks ALL the magic and creative writing of BG3 with almost none of the character development. It’s Mary Sue shit from start to finish.
The combat is good, but it’s likely a separate team made it.
It’s a good game and I haven’t noticed anything preachy about it.
I actually like the gameplay a lot and the storytelling isn’t as bad as some make it out to be.
This is how most Gamer™ outrage is. Lots of sweaty weirdos getting triggered.
These nerds would have called Chess “woke” because the Queen is the most powerful piece.
I quite liked Stephanie’s video about Veilguard’s forced “guyversity” and “himclusion”.
I remember very well bioware games and others in past decades got the same kind of reaction because « omg gay romance, that kind of agenda shouldn’t be pushed in a video game, think of the children ».
So now the new social “battle” is trans right and the game has a gender questioning character (From a review, I haven’t played) that seems to take at most a whole 5 minutes over the course of the whole game. Why not.
Now the game has been designed to cater to 10 year old and not the older crowd who played the original so it doesn’t have the depth you’d want and the dialog is on the nose. Well, too bad. Just play something else.
I just want to voice my opinion that not every article about video games needs to be shared/promoted, particularly gamergate-lite shit like this. “Only” whinging about how non-cis white male characters are included in games is hardly any better than the chuds bombing the game on metacritic.
I’d also argue this violates your own sub’s rule (rule 9), not because it’s about “political” genders, but for explicitly calling peoples’ existence “political messaging”.
You didn’t read the article did you? Its not about the inclusion of a character, but about how a specific scene with that character is handled. The author claims it is completely jarring, doesn’t fit into the games setting and doesn’t even use the games existing lore for transgender people but instead uses modern terminology.
I found the article to very informative and not at all “gamergatey”.
Its points are:
- this is the scene
- it is bad
- here is exelent trans representation in a fantasy setting
- “its a BioWare self insert”
- this is how they could have handled it better
- the game is great, but now everybody will just talk about woke, so again the game is good
Every time I say the horseshoe theory is stupid I open a forum and am proven wrong…
What does this even mean?
Means someone cited gamergate where it makes no sense at all.
Lol. The admonishment for “misusing” gamergate by citing horseshoe theory as if it’s in any way applicable is hilariously on point. Good luck with that “enlightened” centrism.
It’s ok to be wrong. It’s how we grow. Being right all the time is boring and delusional.
Its not about the inclusion of a character, but about how a specific scene with that character is handled.
You didn’t read my comment, did you? Like the part where I specifically mention that? I don’t care if the scene was shot on a camcorder for a student created after-school special on a PTA budget. Acting like that’s the problem instead of any of the reactionary bullshit to it is not the viewpoint of someone who truly cares about these populations. Where’s the “helpful” article about shitty hetero romance scenes in countless movies/shows/games and how we should do better there? Those don’t cause a blip. But this? This is a “problem”. Fuck that.
and doesn’t even use the games existing lore for transgender people but instead uses modern terminology.
This reads like those losers that rage about black people in The Witcher because it’s “noT hIStoRIcaLlY AccuRAtE”. Bemoaning “modern terminology” is so pointless. They’re also speaking modern languages through the majority of the game. Gonna write a Forbes “article” about that, too?
I’m sorry but (all other issues with the scene aside) pretending that performative “apologies” are a good thing actually is genuinely problematic. Performative apologies are inherently manipulative by drawing attention away from the thing you’re apologising for and by being designed to be an effort that feels bad to reject.
Apologizing? For what?
The article is not about what you think it is about. Try reading it.
