N.C., USA. Management consultant, but not the crappy kind. Old, sweary, and stabby when provoked. #Antiracist; #Antifa; #Resist; trying to be a good LGBTQ and BLM ally. Interests: #journalism #media #maps #dataviz #astronomy #management #leadership #LearningAndDevelopment #learning #uspol #ncpol #cats #mastocats #kittens #CatsOfMastodon.
@lispi314 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon For reasons on which I’m not immediately clear, there seems to be a lot more of an appetite for that sharing approach in the coding community than in the musician community.
@lispi314 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon Your mileage may vary, but in my experience, particularly online, when people can get a copy of a particular work they want without paying the creator, that’s what they do, if only because it’s one less step.
@lispi314 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon Even with copyright law, plagiarism happens all the time, albeit usually on the personal level rather than the industrial level. Imagine how bad, and how industrialized, it would get if we had no copyright law.
@lispi314 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon Having been a freelancer and independent contractor off and on for 45 years, I’ve looked into most of them, and in most cases, for them to “work” – by which I mean provide a living – the artist must still be protected by copyright law; otherwise, others could duplicate and sell his/her work as their own and receive money that otherwise would have gone to the creator.
@lispi314 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon Also, the guy in the video says we should either ban copyright or severely shorten its length. Those are two VERY different things. I have to wonder whether severely shortening its length and streamlining the process for obtaining rights wouldn’t solve most of the problems currently surrounding U.S. copyright while still allowing creative people a chance to make money.
@lispi314 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon Your model for writing code implies that all code writers must be someone else’s employee. But what if they want to be independent? How do those folks get paid?
@lispi314 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon OK. So let’s say there were no such thing as copyright law. How, then, would artists, writers, musicians, etc., make a living?
@lispi314 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon I think a lot of musicians (cf. R.E.M.) with sizable back catalogs to which they own the rights would disagree with you, and honestly, I don’t know what the right answer is.
That said, if you would, please explain why you mean by “copyright also inherently assumes you have a right to control the minds of others.” I’m not following.
@kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon Oh, I quite agree. Coble’s hometown paper editorialized against the copyright changes Disney bought through him at the time, but nobody else listened. Coble certainly didn’t.
@kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon Oh, I know. I did some reading on Coble and Disney in the late 1990s, and I was stunned to learn about how much stuff they were squatting on. But money talks loudly enough to drown out all other voices.
@kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon My late congresscritter, Howard Coble, was responsible for that. A product of north-central North Carolina, he was nicknamed “The Congressman from Disney” in the district (and in Washington) because of all the water he carried for that corporation on IP matters.
@lispi314 @chucker @kkarhan @ajsadauskas @technology @music@fedibb.ml @music@lemmy.ml @senficon That’s plausible.