While the image is undeniably striking, a closer look reveals some inconsistencies: the lighting sources clash, and the patch of grass in the foreground feels out of place, almost as if it’s there to conceal something. It’s a well-crafted composition, but the seams show for those who know where to look. Still, kudos to the photographer for pulling off such a bold visual analogy.
Look at their Instagram feed I shared, and understand their public reputation at stake, duderino.
They try to pass off AI slop as their own, and how do you think that winds up impacting their careers? Same deal with popular devs trying to sneak malware in to their releases. It’s public suicide, dude.
But go ahead… show me any real evidence from reputable sources that this is AI slop…
First, I don’t see what entitles you to use such a tone. Did I disrespect you? Given the time you took to delete your first response and stew over the next two, it seems I struck a nerve. Are you okay ?
Of course, I looked at the photographer’s Instagram feed. I saw his high-level commitment to wildlife photography. I analyzed the image he posted because I found it intriguing, because I enjoy the exercise, and because (by sharing it publicly) he invited critique. That’s my right.
My ability to spot inconsistencies comes from years of practice and a trained eye. What can I do about that?
That said, I never mentioned AI (and yes, my little profile rodent is rather cute, isn’t it?). I simply pointed out that the image appeared manipulated. Photoshop has been around since the ’90s, after all.
So, put your anger aside and let me appreciate and critique the work shared with the public in peace.
I stand by my technical observations, which were about the image, not the photographer. If you perceive critique as an attack, that’s your prerogative, but it’s not my problem. Have a nice day.
While the image is undeniably striking, a closer look reveals some inconsistencies: the lighting sources clash, and the patch of grass in the foreground feels out of place, almost as if it’s there to conceal something. It’s a well-crafted composition, but the seams show for those who know where to look. Still, kudos to the photographer for pulling off such a bold visual analogy.
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I already explained my position clearly and calmly. I critiqued an image, not a person, not a reputation, not a career.
You escalated, deleted, returned days later, then deleted again. That pattern speaks for itself.
I’m glad my inbox allowed me to read your deleted message. I wouldn’t have wanted to miss it.
If critique unsettles you to this extent, the issue is not my words, but your projection. I have nothing to add, and nothing to retract.
I’m blocking you now. My time is too valuable to be spent on this exchange. Take care of yourself. It looks like you need it.
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Look at their Instagram feed I shared, and understand their public reputation at stake, duderino.
They try to pass off AI slop as their own, and how do you think that winds up impacting their careers? Same deal with popular devs trying to sneak malware in to their releases. It’s public suicide, dude.
But go ahead… show me any real evidence from reputable sources that this is AI slop…
Il est également intéressant que vous disiez cela en tant que personne affichant un avatar IA.
Tombez-vous dans cette zone critique dans laquelle le voleur pense que tout le monde pense automatiquement de la même manière que lui… ?
First, I don’t see what entitles you to use such a tone. Did I disrespect you? Given the time you took to delete your first response and stew over the next two, it seems I struck a nerve. Are you okay ?
Of course, I looked at the photographer’s Instagram feed. I saw his high-level commitment to wildlife photography. I analyzed the image he posted because I found it intriguing, because I enjoy the exercise, and because (by sharing it publicly) he invited critique. That’s my right.
My ability to spot inconsistencies comes from years of practice and a trained eye. What can I do about that?
That said, I never mentioned AI (and yes, my little profile rodent is rather cute, isn’t it?). I simply pointed out that the image appeared manipulated. Photoshop has been around since the ’90s, after all.
So, put your anger aside and let me appreciate and critique the work shared with the public in peace.
What ‘anger’ are you talking about, mate?
You said and implied something obnoxious towards the original photographer, and I corrected you.
It is to THEM that you owe any sort of apology, my friend… Now, are you capable of that, matey?
I guess that remains to be seen, eh…?
I stand by my technical observations, which were about the image, not the photographer. If you perceive critique as an attack, that’s your prerogative, but it’s not my problem. Have a nice day.
No… absolutely NOT.
I’m sorry for reacting so negatively, and of COURSE I tend to drift in that direction.
I just… don’t GET you’re personal theory about how one of the most respected naturist photogs of our era is somehow manufacturing their material.
Don’t you understand how insane and explosive that sounds, matey…??