
Embarrassingly low effort, but I just use Google Drive Shared Folders, read-only mode, and forgo any curation of what is seen (e.g. no imposed order, text, etc.).
Refugee from Reddit
Embarrassingly low effort, but I just use Google Drive Shared Folders, read-only mode, and forgo any curation of what is seen (e.g. no imposed order, text, etc.).
In passing, this might read as a suggestion to go buy one of these filters. I would actually suggest thinking long and hard before doing that. Really, their only use is photoing the sun on a clear day, and so:
On the flip side, these things are expensive (needing to be optical quality)and likely limited to one diameter of lens.
There is something deeply satisfying about making your own solar observations, but you may feel replete after very few photos!
Solar filters are the way. Thousand Oaks site has comments like:
"TRANSMISSION: 1/1,000th of 1%. Solar image is yellow orange. Safe for both visual and photogenic use. "
I can’t entirely guess what your normal daylight settings would be, but I’d guess your attempted settings are not much less than 1% transmission of that.
Also, even if everything is digital, I’d refrain from pointing an unfiltered camera at the sun for more than a couple of seconds in case of heat damage from focussed light.
Just in case it helps with further online research - according to Wikipedia, a super telephoto lens is one with a (maximum) focal length of over 300mm, a superzoom lens is one with well over x3 difference between shortest and longest focal lengths.
So, those lenses discussed so far are definitely super telephoto, but are mostly, or all, not super zoom.
Alas, I can’t help on actual subject of your interest: mine is bird photography and so rarely want to be at anything other than maximum focal length (and I even found a 600mm Prime lens pleasing and effective to use). For sports, I can well imagine a good zoom (if not super zoom :) ) is very useful, to swap quickly from overall pitch to individual player.
Top two look weird from aggressive playing with histogram tool, moving the top and bottom limits right in to where the sun’s range of brightness runs. I was a bit surprised it emphasised the orange so much, given I wasn’t tweaking the RGB curves.
Heh, no, just a lack of a fourth interesting photo variant.
It was still slightly hazy - but I definitely got lucky considering I woke to a forecast of “Partially Cloudy”
If you are lucky you can get suitably filtered shots of the sun through cloud - obviously don’t look directly, or purely through optics, but if you’ve a live digital display (e.g. most mirrorless cameras), it can work. The following was purest luck, that I’d no right to expect - I was just amusing myself seeing what my camera made of a hazy circle of light behind thick cloud. And yes, those are sunspots, I checked the sunspots for that day.
Ah, that’s a good attitude.
On wildlife lenses - I only know the Canon RF range and on Full Frame cameras, and even there I don’t know both sides of an interesting debate: there’s an RF100-400mm lens I’ve never used, but because its zoom it gives users more options (e.g. mixing wildlife with other photography without lens changes) and 400mm is enough for a lot of wildlife. On the other hand, the RF600mm F11 lens has distinctly more reach, and I know its good for birds, having used it a lot for that. However, a Prime Lens with fixed aperture has its own limits.
I currently use the RF200-800mm - which I really like but is very expensive and heavy so hardly a sensible recommendation for your list to make - learn via the above two. You can see what it achieves in my posts over on the !birding group (and indeed, pretty much the above discussion of lens).
Big question: why should anyone use your lists rather than a random specialist magazine/website’s “Best of 2025”? Or even just poking Amazon driven by Star ratings and skimming reviews. And more serious personal research is usually going to pay off for the buyer.
Since by the sounds of it, you have personally not even tried out most of the things you recommend, it makes it an even bigger question of why use your list?
Lesser question: looking at your list of lenses, your photography interests are showing, or more precisely, it’s pretty obvious you are not into wildlife photography from the focal length ranges you are choosing. As a general point, if your lists are driven by purposes, you should make the purposes explicit.
Observation: buying used, without the gear being backed by informed guarantees, is a fast way to heart break
Not so sure about Grey Squirrels wanting to be birds - they already get pretty much anywhere they want to get without the flappy bits. The squirrel-proof bird feeder is almost as much a myth as a perpetual motion machine.
Ah-ha - Australian detected! UK spiders just don’t attract that sort of worry :)
Now that’s a good explanation - but I’ll add one possible tip: if you shoot in RAW format (which may not even be possible on that camera) you may be able to rescue over-exposed areas to some extent in RAW format processing tools. Massively over exposed areas are probably not going to work very well - the colour balance of the rescued image tends to go wrong, for instance - and you may need to use some moderately advanced editing facilities.
Oh, very nice.
What are they actually dew drops upon?
I’d suggest working out what you like about the photo (e.g. lines converging to the middle right), and see if there’s ways to emphasise that for other viewers (e.g. cropping).
I’d also consider brightening the picture, either overall, or messing around with a luminance histogram tool, but that’s dependent on your goals (which is where RAW format is your friend!).
Ah, thank you- I knew of plant effects along those lines but nothing so striking.
Interesting as a “what happened to that plant” sort of thing, and well taken to get the question asked.
Do you happen to know what happened? Webbing? Fungus? Decay? Naturally silvered plant?
Kept up for two weeks, and worthwhile photos to share too! Well done, now just keep posting :)
Oh - bizarre. I didn’t even know clicking on the title was a thing or could do that!
And now I can tell it’s quite a satisfying photo.
I love the old stems splaying out from the centre of the photo mixed in with the opening buds.
Macro lens?
Anyway, I do like the contrast of the sharp detail on the grass and the bokeh in the background. What would have been glorious would be adding golden sunset light to the grass tips, but sadly light just doesn’t do that, does it?