I read a lot of Harlan Ellison (worked on The Outer Limits, 80’s Twilight Zone, Babylon 5), and I was wondering what people thought of this quote from him:
[S]cience fiction is the only 100% hopeful fiction. That is to say, inherent in the form is, “There will be a tomorrow”. If you read a science fiction story, it says, “This will happen tomorrow”. Now that’s very positive, that’s very pragmatic, “We’ll be here tomorrow. We may be unhappy, we may be all living like maggots, but we’ll be here.” So that means it’s 100% positive.
Ellison has even said that his short story I Have No Mouth, and I Must Scream is optimistic, because in the climax, there is still room for self-sacrifice and defiance to authority.
I guess it comes down to whether you think a bleak future is better than no future at all.
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I don’t know if I’d say “inherently hopeful.” Sturgeon’s approach to science fiction was “ask the next question” which is sometimes not so hopeful. I do think a lot of golden age and even new wave (which Ellison defined) is very hopeful. I think genres like cyberpunk and more modern interpretations of dystopian science fiction explore less hopeful situations. You also have stuff like “The Heat Death of the Universe” by Pamela Zoline which could be evaluated from many perspectives on hope.
Okay, that Zoline story kinda broke me for about half an hour.
I think a lot of sci-fi is a warning, e.g. almost every distopian setting - I don’t think that’s hopeful, unless you argue that we’re sensible enough to heed said warnings.
I guess the hope in writing it is that there’s at least some people who will heed. The hope in reading it might be that you’d recognize the signs in time to work for change. Or maneuver yourself into the evil dominators group if you’re deplorable.
I can kind of see where he’s coming from, but only if you’re weighing it against an assumed future where we’re going to die out tomorrow. That’s a low bar for hopeful, and certainly not “100% positive”.
I have a hard time seeing I Have No Mouth and I Must Scream or even worse, All Tomorrows, as “hopeful”. I’d honestly rather just die.
Plus, not all sci-fi involves humans, and not all sci-fi is in the future. There’s scifi with no humans in it, there’s scifi set in the past or in an alternate present, and none of those qualify as “hopeful by default” in the way he defines it any more than any other fiction does.
This is my one of my favorites for exactly this reason. Agreed, other than the triumph of what little humanity Ted has at the end there’s not much in the story.
But despite being a famous asshole it always seemed Ellison loved this story, right down to actually re writing a happy end to the “I have no mouth…” adventure game in the early 90s.
Speculation on my part, but I always thought for a famous pessimist he thought his warning might make a difference, which is its own kind of hopeful.
Fuck hopeless stories. All my homies believe in the indomitable human spirit
For real! This is why a lot of modern TV is hard for me to watch. So many stories about mostly terrible people being awful without any humanity. Most people are good.




